propose here for the site of my friend Alessandro Dattilo action taken from my blog, this translation of an interesting poem Baudelaire, dating back to 1855, which interprets the original nineteenth-century common myth of the vampire. The most delicious is the apparent reversal of the final, where Baudelaire seems to reveal that the purpose of the dagger and the poison does not kill the protagonist in a love suicide, but to end the cruel woman who will then be raised from the lover's kiss, transforming this When really a vampire (which is possible, theoretically, if only implicitly, the protagonist of the opera is, in turn, a vampire itself, in the true sense and not symbolic of the term). The cover photo is actually quite old Charles and vampires.
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